26 Nov 10 tips for shooting time-lapse
A flower can change your life. Flowers are nature's artwork. Flowers are used by lovers to express their affection and by children to thank mothers for their years of attention. Bring your screen into full bloom with Magic Flowers for Mac OS/X and iOS devices! Magic Flowers brings your technology into full bloom with beautiful slow-moving timelapse flowers, captured. Time Lapse Photography. A Primer on Long Exposures by Lynne Eodice In contrast to using fast shutter speeds to freeze action, using long exposures is a very creative means to convey motion in a photograph. Hibiscus rosa-sinensis 'Bonjour' constantly blooms with red and pink flowers. It grows 4 to 6 feet in height. Hibiscus sinensis 'Magic Moment' has 10-inch flowers in hues of peach, orange, pink, and light purple, on plants growing up to 8 feet tall.
Ansul autopulse 442r operation manual. Truly a flower timelapse to end all flower timelapses. Take 5 minutes to watch this impressive creation up top, and then, if you want to see more of Jamie's work, visit his website or give him a.
During the past three years, I have thoroughly researched and practiced the technique of time-lapse photography. The knowledge gained has enabled me to create the great images that would otherwise have been impossible. Many people who watch my videos are wondering if they too would be able to make such images, and the answer is yes. Thanks to the modern technology and its affordable price, almost everyone has access to a digital SLR, and it does not take much more than that to take high quality time-lapses.
Whether you're new to the technique of time-lapse or have experience, these tips will be very helpful when planning and implementing your time lapses.
I hope that you enjoy them and put them to practice.
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers Pictures
Traktor pro 2 v2 68. 1 .- Plan, plan, plan … As the Chinese proverb says, if I had ten hours to chop down a tree, I would use seven in sharpening the ax. If we are going to make a 'time-lapse' of a sunset, it makes no sense to do 30 miles by car loaded with our gear to get to the place chosen only two minutes before sunset. It is therefore very important to check both the sunsets and sunrises, and their orientation in respect to our subject and other possible elements, moon, tides, etc., which may come into play.
A great tool for this task is 'The Photographer's Ephemeris'. We must get to know its interface, observing the sun and moon and their trajectory, planning ahead our location … and only then to begin to prepare the gear.
2 .- Don´t forget anything. When you go shooting time-lapse, you can spend several hours standing on a rock in the middle of nowhere, so you have to be well prepared. I wouldn´t want to sound like your mom, but it is worth reminding you that you should take with you enough of water and food. If it's winter, spare socks, a warm coat, gloves … And if it's summer, more water, a hat and sunscreen. A fully charged cell phone and something to read is a must. Oh and do not forget the camera and tripod.
3 .- Tripod, our best friend. Stop dreaming about expensive lightweight carbon tripod. What we really need is that old heavy tripod that nobody wants to carry. Keep in mind that your camera will remain in the same position perhaps for an hour or two. The slightest shake or rolling caused by the wind during the shots, will end up in a shaken take. If your tripod is not sturdy enough, you can hang your camera bag on it, or use stones to give it greater stability and rigidity. This is essential in long exposures.
4.- Framing is key. Most of the times we arrive to the locations very excited, with so much energy that we are not able to visualize the scene, trying to find the right framing. Leave the backpack and tripod and take a walk around the area, imagine the shot, take a look at the scene, try to find the best location and composition.
Omnigraffle pro 6 6 1. We must act as if we were going to take a single shot, as if we had brought a single roll of film in which, unfortunately, we have only one exposition. The 'time-lapse' technique is essentially photography, and we should think of it as such. If we are thinking only of how the final video will look, we'll skip the details that make the difference between a good shot and an epic image.
5 .- Basic camera settings. Some people will tell you that auto/priority mode and Jpg files are the best settings to make a 'time-lapse'. Just as no one uses those settings when taking some quality photographs, to achieve professional results in time lapse we will use manual exposure and RAW files.
Both manual mode and RAW files will give us greater control over our camera and during the postproduction. We must remember that the camera is shooting for a long time, so if we use any automatism, the camera will try to correct every change of light and the color temperature. So if you shot it in JPEG, there will be no turning back.
6 .- Live View. If your SLR has a good battery that lasts long , I would recommend you to use the Live View. By using this feature, the mirror will always stay up and not hit when the shutter fires, thereby avoiding possible camera shake. Also, the Live View allows us to visualize our shot in real time. If you also activate the histogram, you will also have the exposure under control.
7 .- Focus accurately. It is very important to select the manual mode in both the camera and lens, if applicable. (If we have an SLR with Live View, we can also focus with the magnifying loup at the desired point.) In most of my shots I usually focus to infinity while I use wide angle lenses. In other cases, however, having elements of interest in the first or middle term, we must ensure that this is where the focus will be. Knowing the hyperfocal of our lens is always important, since many of our shots are of landscape and is in this case we want the longest depth of field.
8 .- Avoid 'flicker'. No, I`m not talking about the popular photography website. By 'flicker' is known as the unwanted effect that occurs in the 'time-lapse' due to slight differences in exposure between shots. This difference is that the diaphragm of autofocus lenses remains fully open until the shutter closes it, not always with the same size. Incredibly, there are tiny variations between takes.
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers Near Me
We have two solutions to avoid this problem. First, using manual lenses, my favorite solution, to ensure that the diaphragm is always kept fixed in the same position. The second and more accessible is to partially disconnect the lens from the camera to cut the communication between them, selecting the desired aperture ourselves using the depth of field button.
9 .- Choose the right lapse. This is perhaps the most important point when dealing with a 'time-lapse'. The interval between shots is what will determine the speed of our final video. The longer the interval, the quicker will be the movement of the elements of our shot, and vice versa. But we must adapt the interval to the real movement of our scenery.
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers Images
Confused? Here are a few suggestions of lapses depending on the scene.
Clouds moving very slowly, interval of 10 seconds.
Clouds moving normally: interval of 5 seconds.
Clouds moving very fast: interval of 3 seconds.
People walking down the street: interval of 2 seconds.
Path of the sun on a clear day, nterval of 30 seconds.
Night landscapes, stars, moon, etc.: nterval of 20 to 30 seconds.
10.- Knowing how long your 'time-lapse' takes. This is the second major variable that we have to calculate. In many cases we know it, as in a football game or a sunset. We'll set an interval and clip duration that gives us an adequate number of frames. On the contrary, if we are shooting a scene without beginning or an end, like a flowing of a river, the exposure and interval will determine the length of the shot.
Some quick math: Knowing that we need 25 frames to create one second of video (in the European PAL system, in the United States it would be 30) a standard length of 10 seconds of footage will need 250 frames. Therefore, we only have to multiply 250 by our lapse to know how much time we need to invest in doing the 'time-lapse'.
It can happen that you do not know the duration of the event or you want to capture a long scene, like a thunderstorm formation. In these cases, the interval is the premium: choose the right one for the scene and select 'infinity' or 'zero' in the number of frames of your remote. Now you just have to be patient.
If you want to learn more, maybe you would like to attend to one of my workshops
| Formation | 2014; 6 years ago |
|---|---|
| 600 | |
Founder | Debra Prinzing |
| Website | slowflowers.com |
Slow Flowers is a movement promoting the support and purchase of American-grown flowers in the United States.[1] Similar to the Slow Food movement — aimed at preserving local, sustainable food and traditional cooking — Slow Flowers encourages consumers to support their local economy and consciously purchase cut flowers grown locally, seasonally and ethically in the United States, instead of purchasing flowers imported from other countries or flowers grown using chemicals and pesticides.[2] The philosophy behind slow flowers is part of the wider slow movement. The Slow Flowers Community was founded by author and writer Debra Prinzing in 2014[3] after she authored a book titled Slow Flowers, in which the term 'slow flowers movement' was coined,[4] and the movement has since spread internationally.
The Slow Flowers Movement[edit]
The inspiration behind the philosophy of Slow Flowers can be traced back to author Amy Stewart's book Flower Confidential: The Good, the Bad and the Beautiful (2007), which provides an in-depth look into the floral industry.[1] Among its revelations, the book sheds light on the genetic engineering and breeding of flowers, the exploitation of workers, pollution and the importation of cheap flowers in the flower industry.[5]
In the U.S., consumers spend on average between $7 billion and $8 billion on cut flowers annually.[6] Of those flowers, imported cut flowers account for 80 percent,[7] with an estimated 5.6 billion stems sold annually imported from countries including Colombia, Costa Rica, Ecuador, Mexico, Netherlands, Dominican Republic, Malaysia, Thailand, Peru, Guatemala, Chile, India, Italy, Kenya, South Africa, Israel, Spain, Japan, Canada, Ethiopia, Australia, Nicaragua, New Zealand, Taiwan, Vietnam, Argentina, Brazil, Zimbabwe and France.[8] In the U.S., cut flowers largely come from the west coast in California where blooms like daffodils, orchids and mums are grown.[9] American-grown flowers used to account for 64 percent of the flowers sold domestically, according to data from 1991.[3] However since then, and shortly after the introduction of the Andean Trade Promotion and Drug Eradication Act, the number of domestically-grown flowers sold in the U.S. has been on the decline, with 50 percent of North American flower farms no longer in business due to the competing, cheaper prices of flowers grown in South America.[7]
6 .- Live View. If your SLR has a good battery that lasts long , I would recommend you to use the Live View. By using this feature, the mirror will always stay up and not hit when the shutter fires, thereby avoiding possible camera shake. Also, the Live View allows us to visualize our shot in real time. If you also activate the histogram, you will also have the exposure under control.
7 .- Focus accurately. It is very important to select the manual mode in both the camera and lens, if applicable. (If we have an SLR with Live View, we can also focus with the magnifying loup at the desired point.) In most of my shots I usually focus to infinity while I use wide angle lenses. In other cases, however, having elements of interest in the first or middle term, we must ensure that this is where the focus will be. Knowing the hyperfocal of our lens is always important, since many of our shots are of landscape and is in this case we want the longest depth of field.
8 .- Avoid 'flicker'. No, I`m not talking about the popular photography website. By 'flicker' is known as the unwanted effect that occurs in the 'time-lapse' due to slight differences in exposure between shots. This difference is that the diaphragm of autofocus lenses remains fully open until the shutter closes it, not always with the same size. Incredibly, there are tiny variations between takes.
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers Near Me
We have two solutions to avoid this problem. First, using manual lenses, my favorite solution, to ensure that the diaphragm is always kept fixed in the same position. The second and more accessible is to partially disconnect the lens from the camera to cut the communication between them, selecting the desired aperture ourselves using the depth of field button.
9 .- Choose the right lapse. This is perhaps the most important point when dealing with a 'time-lapse'. The interval between shots is what will determine the speed of our final video. The longer the interval, the quicker will be the movement of the elements of our shot, and vice versa. But we must adapt the interval to the real movement of our scenery.
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers Images
Confused? Here are a few suggestions of lapses depending on the scene.
Clouds moving very slowly, interval of 10 seconds.
Clouds moving normally: interval of 5 seconds.
Clouds moving very fast: interval of 3 seconds.
People walking down the street: interval of 2 seconds.
Path of the sun on a clear day, nterval of 30 seconds.
Night landscapes, stars, moon, etc.: nterval of 20 to 30 seconds.
10.- Knowing how long your 'time-lapse' takes. This is the second major variable that we have to calculate. In many cases we know it, as in a football game or a sunset. We'll set an interval and clip duration that gives us an adequate number of frames. On the contrary, if we are shooting a scene without beginning or an end, like a flowing of a river, the exposure and interval will determine the length of the shot.
Some quick math: Knowing that we need 25 frames to create one second of video (in the European PAL system, in the United States it would be 30) a standard length of 10 seconds of footage will need 250 frames. Therefore, we only have to multiply 250 by our lapse to know how much time we need to invest in doing the 'time-lapse'.
It can happen that you do not know the duration of the event or you want to capture a long scene, like a thunderstorm formation. In these cases, the interval is the premium: choose the right one for the scene and select 'infinity' or 'zero' in the number of frames of your remote. Now you just have to be patient.
If you want to learn more, maybe you would like to attend to one of my workshops
| Formation | 2014; 6 years ago |
|---|---|
| 600 | |
Founder | Debra Prinzing |
| Website | slowflowers.com |
Slow Flowers is a movement promoting the support and purchase of American-grown flowers in the United States.[1] Similar to the Slow Food movement — aimed at preserving local, sustainable food and traditional cooking — Slow Flowers encourages consumers to support their local economy and consciously purchase cut flowers grown locally, seasonally and ethically in the United States, instead of purchasing flowers imported from other countries or flowers grown using chemicals and pesticides.[2] The philosophy behind slow flowers is part of the wider slow movement. The Slow Flowers Community was founded by author and writer Debra Prinzing in 2014[3] after she authored a book titled Slow Flowers, in which the term 'slow flowers movement' was coined,[4] and the movement has since spread internationally.
The Slow Flowers Movement[edit]
The inspiration behind the philosophy of Slow Flowers can be traced back to author Amy Stewart's book Flower Confidential: The Good, the Bad and the Beautiful (2007), which provides an in-depth look into the floral industry.[1] Among its revelations, the book sheds light on the genetic engineering and breeding of flowers, the exploitation of workers, pollution and the importation of cheap flowers in the flower industry.[5]
In the U.S., consumers spend on average between $7 billion and $8 billion on cut flowers annually.[6] Of those flowers, imported cut flowers account for 80 percent,[7] with an estimated 5.6 billion stems sold annually imported from countries including Colombia, Costa Rica, Ecuador, Mexico, Netherlands, Dominican Republic, Malaysia, Thailand, Peru, Guatemala, Chile, India, Italy, Kenya, South Africa, Israel, Spain, Japan, Canada, Ethiopia, Australia, Nicaragua, New Zealand, Taiwan, Vietnam, Argentina, Brazil, Zimbabwe and France.[8] In the U.S., cut flowers largely come from the west coast in California where blooms like daffodils, orchids and mums are grown.[9] American-grown flowers used to account for 64 percent of the flowers sold domestically, according to data from 1991.[3] However since then, and shortly after the introduction of the Andean Trade Promotion and Drug Eradication Act, the number of domestically-grown flowers sold in the U.S. has been on the decline, with 50 percent of North American flower farms no longer in business due to the competing, cheaper prices of flowers grown in South America.[7]
In terms of cost, flowers grown in the U.S. often cost more to produce which means they can be more expensive compared to imported flowers.[10] Imported products are also not generally required to meet the same environmental and labor standards as crops and products grown domestically, which also influences pricing.[3] Additionally, country of origin labeling laws are not enforced, so the origin as well as ethical and environmental footprint of flowers are largely unknown.[6] However, it has been stated that stiffer regulations are now in place in Colombia and Ecuador's industries with bans on certain chemicals and minimum wage requirements.[11] In both the U.S. and South America, there are certification programs like Veriflora, Florverde, Bloom Check, Certified Naturally Grown and Salmon Safe that growers can participate in that focus on improving environmental standards, meaning blooms grown with these certifications are grown under stricter guidelines with less chemicals and harmful pesticides, and some of these programs also focus on worker standards.[9]
The Slow Flowers movement has been part of the effort to establish a philosophy of employing sustainable practices, supporting the local economy and reducing chemical use through the purchase of domestically and ethically grown flowers that is being adopted by florists, flower farmers and consumers.[12] To garner additional support for the movement and flowers grown and sold domestically in the U.S., and to help address the lack of knowledge around origins of flowers and the no-labeling requirement for flowers in the U.S., the Certified American Grown label has since been placed on the sleeves of blooms sold in grocery stores including Trader Joe's, Whole Foods and Safeway.[6] Labels such as 'fair trade', 'organic' and 'sustainable' are also placed on bouquets sold in grocery stores and through online retailers.[9]
Magic Flowers 2 1 – Beautiful Slow Moving Timelapse Flowers For Beginners
In the last decade, the number of flower farms selling cut flowers domestically increased almost 20 percent between 2007 and 2012 from 5,085 to 5,903, according to the USDA. [13] Farm shares or community supported agriculture (CSAs) are also featuring fresh flowers as part of their annual subscription services, offering large to small bouquets that are collected weekly or bi-weekly alongside farm-grown fruits and vegetables.[14] Additionally, the U.S. has seen the development of the Congressional Cut Flower Caucus, which has helped leverage additional support in raising awareness about supporting American flower farmers and floral products.[15]
Slow Flowers Community[edit]
At its core, Slow Flowers was established to promote the conscious purchase of buying and selling locally and sustainably grown flowers in the United States. The Slow Flowers Community has 600 members.[16] Members of the Slow Flowers community are predominantly small-scale growers, producers and designers who are working to transform the flower industry by leveraging the field-to-vase or locally grown flowers philosophy.[17]
References[edit]
- ^ ab'The Farm-to-Centerpiece Movement'. New York Times.
- ^'The farm-to-vase movement: Local flower farms sprout on urban lots around New Orleans'. The Times-Picayune.
- ^ abc'A Flower-Farming Renaissance: America's Slow Flower Movement'. Modern Farmer.
- ^'Slow flower movement blooming in Ontario'. The Toronto Star Newspaper.
- ^'Flower Confidential'. Orion Magazine. July 1, 2007.
- ^ abc'There's a local flower movement blooming'. Grist.
- ^ ab'A Start-Up That Aims to Bring Back the Farm-to-Vase Bouquet'. New York Times.
- ^Article in U.S. Department of Agriculture
- ^ abc'Blooms Away: The Real Price of Flowers'. Scientific American.
- ^''Slow Flowers': Seattle author's case for sustainably-grown flowers'. KNKX.
- ^''Slow Flowers' movement pushes local, U.S.-grown cut flowers'. Los Angeles Times.
- ^'American Floral Story'. The American Gardener. July 2018.
- ^''Slow Flowers' movement pushes local, US-grown cut flowers'. WHYY. Associated Press.
- ^'Flower-share CSAs bring blooms throughout summer'. Milwaukee Journal Sentinel.
- ^'Stearns County farmers are part of 'slow flowers' movement'. SC Times.
- ^'A Detroit Florist's Vision Turns an Abandoned House Into Art'. New York Times.
- ^'Slow Flower Movement'. Edible South Shore & South Coast.
External links[edit]
